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Peter Straub
11-23-09: A 2009 Interview with Peter Straub

"Irrationality has a great role in American life"
        — Peter Straub


Need we say more? As far as I can tell, irrationality has the primary role in American life. America seems possessed by magical thinking, and our understanding of how that affects our literary life is only now beginning to catch up. For almost a century, we were convinced that serious literature must by definition exclude our dreams and nightmares.

Need we say more? As far as I can tell, irrationality has the primary role in American life. America seems possessed by magical thinking, and our understanding of how that affects our literary life is only now beginning to catch up. For almost a century, we were convinced that serious literature must by definition exclude our dreams and nightmares.

Peter Straub has managed to do something about that, something very concrete. As editor of the Library of America's 'American Fantastic Tales,' and their edition Lovecraft, he has lead the way in the effort to canonize the fantastic. Yes, we can blame the pulps for this. Before the pulps, there was no genre divide. After the pulps, there were stories for boys and stories for men and women. I talked to Straub at the recent World Fantasy Convention in San Jose about his work for the Library of America and his two recent books, 'The Skylark' and 'A Dark Matter,' as well as his work on some new graphic novels. (And, I never knew this, his occasional role in the soap opera, One Life to Live.) Straub's one of America's great writers; obviously somewhere down the road, some lucky kid who is now geeking out while reading Straub's work in junior high, will have the honor of assembling his Library of America volumes. Here's a link to the MP3 audio file of our conversation.



Scott "SG" Browne
11-24-09: Scott "SG" Browne Interviewed at SF in SF

"It gives me the opportunity to meet some of my influences"
        — Scott "SG" Browne


Here's the deal; I saw Scott Browne a lot at the World Fantasy Convention, and it struck me, when I was talking to him at SF in SF, that he might have been kind of new to the scene. But I should have remembered that he'd written and published horror fiction in the 90's. In fact, I probably saw him, without know who he was, at the last World Horror Convention in San Francisco. That said, we did have a nice chat at SF in SF, and you can hear what he has to say about conventions and the current short-fiction publishing landscape by following this link to the MP3 audio file.


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