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10-22-10: A 2010 Interview With Belle Yang

"In Chinese, the language itself is visual poetry."

—Belle Yang

I had Belle Yang in the studio at KUSP at 7 PM on a dark autumn evening for Talk of the Bay. We had the studio and the station to ourselves for an hour, and we needed every minute. There was a lot to talk about with regards to her graphic memoir, 'Forget Sorrow.' The book in my hands was a remarkably complex construction in terms of story and art.

Belle Yang has lived through some pretty serious history herself. From the tales of her stalker through the Tiananmen Square Massacre, her own story is the stuff of myth. So her choice to tell her father's and grandfather's story — against the backdrop of a China that no longer exists and is pretty tough to wrap your brain around here in 21st century America — is quite brave. But that's just the beginning.

Now, I've talked with a lot of writers about their process and there are as many answers to this as there are writers. And of course, I talked with Yang about writing the book. But there was so much more than just writing, and that was something I've never had the opportunity to talk about. I was really curious about how you revise a graphic novel? I could imagine how painful that could be.

Yang's artwork is currently on display at the Museum of Art and History in downtown Santa Cruz, so went there to take a look at the pieces hanging on the wall, as opposed to paging through the book. It's quite a different experience. She talked about creating the larger work in our conversation, and the differences how the differences in scale affected her vision. You can find out by following this link to the MP3 audio file of our conversation.

10-21-10: A 2010 Interview with Charles Yu

"I really was searching for a frame, a different vocabulary to talk about what I hope are pretty universal emotions."

—Charles Yu

You won't be in a room with Charles Yu for very long without becoming acutely aware of time. Not just of time passing, but of time itself as an artifact. The more you try not to think of time, the more temporal your perceptions will become. Simultaneously — see, more time jargon! — you'll realize that you are in the company of a very clever literary theorist and writer.

Charles Yu is not your typical science fiction writer; in fact, you might argue that he is not a science fiction writer at all. But then, you'd get into his other forte, language, and you'd find that he does know and think a lot about language and narrative. Yu is clearly still in the early stages of his trailblazing, but his trail is already blazing quite brightly.

As i talked with Yu, I realized that I as a reader and an interviewer was in a rather unique position. Most writers produce writing that is divorced to a large degree from their lives, even if that writing is an intimate memoir. But with Yu, as a reader and as a listened, you will quickly learn that Yu's work, and speaking with him as well, are all parts of his journey. Yu is using language — and even conversation — as a sort of shoulder-mounted mini-camera. His novel is a streaming narrative that is as intricately braided as memory. You can enter our conversational maze by following this link to the MP3 audio file.

10-20-10: The Agony Column Live, October 9, 2010: Panel Discussion

                  Jim Nisbet, Graham Hancock and Rick Kleffel

The readings were the easy part, and to be quite honest, while I suggested that Graham read the hair-raising bit that he did read — and warned me about — well, I was not without some regrets while he did so. But to me the passage did really lay out a lot of the basics of Graham's book including the fact that it is sort of hair-raising. Still, I knew that was the easy part. The hard part would be keeping the conversation between Hancock and Nisbet on some sort of track — or so I thought. Actually, once we got past the readings, things went remarkably smoothly. Not that I can broadcast much of this on the radio. And that's what makes it so much fun to listen to.

As I expected, these two writers did have more in common than either one of them might have surmised. But to my surprise, it was their differences that made the whole show so exciting, particularly as each talked of his past and the influence it had on him. Graham came from a newsman background, while Nisbet's experience of the news involved shotguns and televisions.

I wanted to focus on how each created their rather weird worlds, and not surprisingly, they both took rather different paths. But mostly, the conversation went to where it wanted to go, and that included some seriously funny and profane side trails. You can hear pretty much all seven words you can't say on radio, and maybe even a few more that would get you in hot water by following this link to the MP3 audio file.

10-19-10: The Agony Column Live, October 9, 2010

                     Readings by Jim Nisbet and Graham Hancock

We had a great house for the second Agony Column live show with Graham Hanock and Jim Nisbet. I must admit that I was uncertain as to how this particular chemistry experiment would work. Hancock is well-known for his outsider archaeological writings, which include his latest work of non-fiction, 'Supernatural.' Nisbet is well-known for his outsider mystery fiction, which in fact often wanders right out of that genre and into a no-man's land inhabited only by Nisbet himself.

But Hancock is now writing fantasy fiction in 'Entangled,' finding, not surprisingly, that truth is more easily dispensed via fantasy than fact, while Nisbet's latest, 'Windward Passsage,' starts in a world more bizarre than most science fiction and ends up with a present that, while recognizable in every detail as the present, seems like science fiction.

And all that is just the readings, just the preliminaries.

I've split this Agony Column Live podcast into two portions. The first is a recording of both readings, and runs just around half an hour. You'll get a real flavor of the show itself and of both writers' styles. Tomorrow, I'll podcast the panel discussion.

This is a warning for all sensitive listeners. Both pieces are strictly for adults. Graham reads a passage from 'Entangled' that includes scenes with explicit and potentially upsetting sexual content. It is not for children, period. It's gripping and intense though, and gives a flavor of the book in terms of Hancock's style. Nisbet's reading is equally adult, though his prose style could not be more different. He reads from both 'Windward Passage' and 'Lethal Injection.' Let me re-iterate my warning: by following this link to the MP3 audio file, you are getting yourself in over your head, whether you expect so or not.

10-18-10: A 2010 Interview with Karen Joy Fowler

"I began to see what I wanted from stories, what was important to me in stories..."

—Karen Joy Fowler

Writers tend to have a sort of teaching gene. That's not especially surprising, since the compulsion to write is at its essence a compulsion to convey new information to an unseen audience. But Karen Joy Fowler seems to have more of this gene than the usual writer. Or perhaps it's just that I'm interested in how she creates her fiction. In any event, there are a lot of parts of our conversation about 'What I Didn't See' that are perfect fodder for writing workshops.

Of course, yes, we talked a lot about writing workshops up in the manager's office at Bookshop Santa Cruz. It turned out to be a great setting for an interview. It was quiet once I unplugged the phone, and the sound was excellent. One of the things I most enjoy about talking to writers is how often they surprise me. There are some who suggest that you should never ask a question to which you do not know the answer. But I find myself shocked early and often when I speak with writers, and Fowler was no exception.

Generally, the questions to which you get the most surprising answers are the ones you think are "safe." If you feel comfortable asking a question then there's a good chance that answer is not going to be what expect. So when I asked Fowler about how much she has to cut out of her stories, I felt I was on solid ground. Of course, I was thinking, all these stories start out much longer, and then get whittled down to the sparse and intense final versions we get to read.

Of course that is in Fowler's case not the case. But as we talked, we got into Fowler's interest in workshops. Here again, she upended my expectations, and her insights into workshops and how she uses them are particularly instructive. Of course all of this is of great interest to her readers as well, who can become her listeners by following this link to the MP3 audio file.

New to the Agony Column

12-19-14: Commentary : Mark Samuels 'Written in Darkness' : Sinkholes of Despair

Agony Column Podcast News Report : A 2014 Audio Review of Mark Samuels 'Written in Darkness' : "This is an abyss that is not content to merely gaze back."

12-16-14: Commentary : Christopher Hobbs and Leslie Gardner 'Grow It, Heal It' : Natural and Effective Herbal Remedies from Your Garden or Windowsill

Agony Column Podcast News Report : A 2014 Interview with Christopher Hobbs : "I want to integrate both the traditional uses and the traditional wisdom and knowledge and experience with modern science."

Agony Column Podcast News Report UPDATE: Time to Read Episode 187: Christopher Hobbss : Grow It, Heal It

12-09-14: Commentary : Tad Williams Is Caught 'Sleeping Late on Judgment Day' : As Below, So Above

Agony Column Podcast News Report : A 2014 Interview with Tad Williams : ...Heaven and Hell couldn't be an open, on-going dramatic conflict; it would be more like the Cold War."

Agony Column Podcast News Report UPDATE: Time to Read Episode 186: Tad Williams : Sleeping Late on Judgment Day

12-04-14: Commentary : Anne Rice Crowns 'Prince Lestat' : A Unified Theory of Vampires

Agony Column Podcast News Report : A 2014 Interview with Anne Rice : "I have to woo him..."

12-03-14: Commentary : Andrew Michael Hurley Returns from 'The Loney' : A Matter of Faith

Agony Column Podcast News Report : Four Books With Alan Cheuse : : Maureen Corrigan So We Read On, Casey Walker Last Days in Shanghai, Ron Rash Something Rich and Strange, Nicholson Baker Traveling Sprinkler

Agony Column Podcast News Report UPDATE: Time to Read Episode 185: Anne Rice : Prince Lestat

12-01-14: Commentary : Back to Darkness : Re-Visiting 'Darkscapes'

Agony Column Podcast News Report : A 2014 Interview with Anne-Sylvie Salzman : "You really have to enter a world and it's not some kind of guided tour."

11-22-14: Commentary : William Gibson Connects 'The Peripheral' : Time Life Books

Agony Column Podcast News Report : A 2014 Interview with William Gibson : "...recalibrate my yardstick of weirdness..."

Agony Column Podcast News Report UPDATE: Time to Read Episode 184: William Gibson : The Peripheral

11-19-14: Commentary : David Greene Catches 'Midnight in Siberia: A Train Journey into the Heart of Russia' : The Character(s) of a Country

Agony Column Podcast News Report : A 2014 Interview with David Greene : "It was very easy to literally just tell their stories..."

11-17-14: Commentary : Azar Nafisi Resides In 'The Republic of Imagination: America in Three Books' : Choose Your World

Agony Column Podcast News Report : A 2014 Interview with Azar Nafisi : "I wanted to show how close reality and fiction are..."

11-15-14: Commentary : Cary Elwes Delivers 'As You Wish: Inconceivable Tales from the Making of The Princess Bride' : Re-Reading and Re-Viewing

Agony Column Podcast News Report : A 2014 Interview with Cary Elwes : " unwise decision on my part..."

Agony Column Podcast News Report UPDATE: Time to Read Episode 183: Azar Nafisi : The Republic of Imagination: America in Three Books

11-10-14: Commentary : Dana Cowin 'Mastering My Mistakes in the Kitchen' : Learning to Cook — and Live

Agony Column Podcast News Report : A 2014 Interview with Dana Cowin : " I add a little more citrus..."

11-09-14:Agony Column Podcast News Report UPDATE: Time to Read Episode 182: Dana Cowin : Mastering My Mistakes in the Kitchen: Learning to Cook with 65 Great Chefs and Over 100 Delicious Recipes

11-06-14: Agony Column Podcast News Report : A 2014 Interview with Paolo Bacigalupi and A. S. King : "You're handing us all the problems..." Paolo Bacigalupi "That gray area is so important for readers..." A. S. King

11-05-14: Commentary : A. S. King Foresees 'Glory O'Brien's History of the Future' : Halls of Mirrorsr

Agony Column Podcast News Report : A 2014 Interview with A. S. King : "How much do we really change?"

11-04-14: Commentary : Paolo Bacigalupi Believes In 'The Doubt Factory' : Thrills Matter

Agony Column Podcast News Report : A 2014 Interview with Paolo Bacigalupi : "...these are perfectly nice people..."

10-30-14: Commentary : Brian J. Showers Opens 'The Green Book, Issue 4' : 200 Years of Le Fanu

Agony Column Podcast News Report UPDATE: Time to Read Episode 181: Paolo Bacigalupi : The Doubt Factory

10-27-14: Commentary : Jim Rockhill and Brian J. Showers Recall 'Dreams of Shadow and Smoke: Stories for J. S. Le Fanu' : New Stories for an Antiquary

Agony Column Podcast News Report : A 2014 Interview with Brian J. Showers : "I have a lot reference materials on my desk..."

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